Yellow Trails

An identity picture and the memory of Contla village through its Día de Muertos festivity. Celebration where the making of traditional bread, an offering colocation, and the embellishment of their family get mixed with mysticism and the yearning of the people community, preserving a tradition that interweaves for moments as a remembering in the México's heart.

The Decisive Moment

Henri Cartier-Bresson: The Decisive Moment is an 18-minute film produced in 1973 by Scholastic Magazines, Inc. and the International Center of Photography. It features a selection of Cartier-Bresson’s iconic photographs, along with rare commentary by the photographer himself.

CARA-B

A desktop documentary that focuses on the Golden Record that NASA sent into space in the late 1970s. The piece reflects on issues such as the power of scientific discourse to produce revisions of the world, the evolution of the concept of the archive and the resignification of borders in the rhetoric of space colonialism.

Art Through Our Eyes

As an omnibus of short films, Art Through Our Eyes is inspired by the art collection found at the National Gallery Singapore. Each of the five directors – Apichatpong Weerasethakul, Brillante Mendoza, Eric Khoo, Ho Yuhang and Joko Anwar – handpicked a masterpiece from the 19th and 20th century as inspiration for their short films.

Welles' Language

Orson Welles acted in Brazilian culture and music by deeply researching Brazil's historical geology, consciously completing a legendary cultural mission. Although being turned down by Hollywood producers, he developed a triumphantly accomplished mission in the language domain - three friends of Welles' testified his love for cinema, his passion for Brazilian music and people and his obstinate endurance against formidable pressures coming from inside and outside Hollywood regarding his unfinished "It's All True".

Queen of Splinters

”I haven’t been in love with any of the men I have been with. I don’t know what love is.” A 66-year-old woman examines her life. We see her memories take shape through bizarre experiences at night clubs and during hotel nights spent with strangers. Those have not provided any comfort or safety for her. Rag dolls by artist Pauliina Turakka Purhonen portray the woman at the ages of 3, 5, and 60.

The Girl with the Rivet Gun

Focusing on three women from vastly different backgrounds this film weaves together powerful moments from each of these Rosie's journeys of transformation.

Southern Brides

Women of mature years talk about their marriage, their first time, their intimate relationship with sexuality. In the repetition of these ancestral rituals, the director questions her own lack of marriage, of children, and with it, a chain of mother-daughter relationships that is dying out.

Faraway

After being estranged from his family, we observe a young man over four seasons and from far away as he navigates his solitude – all the while attempting to reconnect with his mother.

Paparazzi

Paparazzi explores the relationship between Brigitte Bardot and groups of invasive photographers attempting to photograph her while she works on the set of Jean-Luc Godard's film Le Mépris (Contempt). Through video footage of Bardot, interviews with the paparazzi, and still photos of Bardot from magazine covers and elsewhere, director Rozier investigates some of the ramifications of international movie stardom, specifically the loss of privacy to the paparazzi. The film explains the shooting of the film on the island of Capri, and the photographers' valiant, even foolishly dangerous, attempts to get a photograph of Bardot.

Winter's End

A short film shot on Super 8 which captures the last days of winter.

The Oil Symphony

The Oil Symphony is a film about the heroic efforts of Azerbaijani labourers drilling for oil.

Azzedine Alaïa

Joe McKenna is one of the most influential stylists in the world. From the beginning of the 1980s, he struck up a great friendship with Azzedine Alaïa, and they continued to work together for many years. Thanks to their mutual understanding and trust, Joe McKenna was able to obtain the rare privilege of entering the studio and the couturier’s workshops with his camera. He paints an intimate and endearing portrait of Alaïa, punctuated by interviews with Nicolas Ghesquiere, Carlyne Cerf, Naomi Campbell and Grace Coddington, among others

Last Dance

Megha's Divorce

Llamen a un adulto (Sepiaexperimental)